Josquin Des Prez. Miserere mei deus (Psalm 51), motet for 5 parts. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. Miserere mei, Deus. composer. Josquin des Prez (c/). 5vv; probably composed for use during Holy Week in at the court of Ferrara. author of. Josquin: Miserere mei Deus. The Miserere, by Josquin des Prez, is a motet setting of Psalm 51 (Psalm 50 in the Septuagint numbering) for five.
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Compositions by Josquin des Prez Renaissance music Motets. Due to the extreme length of the setting it might seem inappropriate for the liturgy, but the focus on Holy Week at Ferrara was well known, and in any case there are numerous spaces in the liturgy for extended josquon of the most austere kind, which this motet certainly is. Since the entire Psalm is set but without doxology, thus corresponding to its liturgical use in Holy Week, its first performance may well have taken place at the beginning of April Josquinn show me this message again.
Missa Hercules Dux Ferrariae.
Miserere mei Deus (Josquin Desprez)
After Savonarola’s execution, Ercole, then in his eighties, probably commissioned his newly hired composer, Josquin, to write him a musical testament, very likely for performance during Holy Week of The predominant mode Josquin selects for his motet is the Phrygian, with a plangent half-step e to f in the opening phrase, and in the tenor cantus firmus.
It is an extended prayer to the God against whom he believes he has sinned, based closely on Psalm 51, and unified by a boldface-type repetition of the phrase “Miserere mei, Deus” throughout the text.
In addition, the length of the motto theme is halved once it begins its ascent out of the bass, and has its length returned to normal for the final descent from E to A. Find out more about our use of this data. While overall the composition is in the Phrygian modethe harmonized repetitions enforce tonal variety. Over the course of the twenty-three verses, the ostinato descends, then ascends again, and commits a final descent.
Miserfre the end of the Maundy Thursday Mass, the altar and sanctuary are stripped of all their decorations, leaving only the bare framework of the table exposed. Later in the 16th century, composers who specifically set the words of Savonarola, such as Adrian WillaertCipriano de Roreand Nicola Vicentinoall of whom wrote motets on Infelix egoused Josquin’s work as a model.
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Miserere mei deus (Psalm 51), motet for 5 parts
Throughout, the singing is exquisitely controlled: All five voices usually join on the interpolated text “Miserere mei” when the ostinato enters. Rainy Day Relaxation Road Trip. Josquin arranges for the words to be heard by using chordal textures, duets, and by avoiding dense polyphony; and of course after each verse the tenor voice intones alone “Miserere mei, Deus”, as in the Savonarola meditation. Playlists Featured All Recommended. Savonarola’s impassioned meditation on sin and repentance, Infelix ego, composed in prison after his torture, and published in Ferrara in mid shortly after his death, was the probable model for Josquin’s setting.
Miserere mei, Deus composer. During the first section it begins on high E and then works its way down an entire octave; in the second it reverses the process but with note values half as long ; and in the third it reverts to the longer notes, but descends only from E to A. Miserere mei Deus” to My Music. One may compare, for instance, the openings of the second and third parts of the motet: The site is also available in several languages.
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Miserere mei Deus (Josquin des Prez) – ChoralWiki
Miserere mei Deus – Sacred Motets. Mieerere the s, the Duke of Ferrara, Ercole I d’Este, kept in close contact with Savonarola, who was also from Ferrara, and supported him in his efforts to reform the Roman Catholic Church. Music from His Time. During the s, the Duke of Ferrara, Ercole I d’Este, kept in close contact with Savonarola, who was also from Ferrara, and supported him in his efforts to reform the Roman Catholic Church.
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Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. It is an extended prayer to the God against whom he believes he has sinned, based closely on Psalm 51, and unified by a boldface-type repetition nosquin the phrase “Miserere mei, Deus” throughout the text.
The Reus Tablature from Klagenfurt. About a dozen letters between the two survive: The tenor edus the same phrase of two pitches twenty-one times in total. The deathbed meditation on Psalm 50 by the fiery preacher Hieronymus Savonarola historical inventor of the “Bonfire of the Vanities” achieved wide dissemination; among those strongly influenced by his work are Botticelli, Michelangelo, and Martin Luther.
As tenor sings these words, the other voices join in one at a time to reinforce the first, “an effect analogous to boldface type in a printed text. If you find the biography content factually incorrect or highly offensive you josqiin edit this article at Wikipedia.