Study of Counterpoint: From Johann Joseph Fux’s Gradus ad Parnassum: Johann Fux, Alfred Mann: Books – The Study of Counterpoint has ratings and 36 reviews. Joel said: Now how you gonna go and front on my boy Fux? Even if you’re not a musician — like. from Johann Joseph Fux’s. The most celebrated book on counterpoint is Fux’s great theo- retical work Gradus ad Parnassum. Since its appearance in
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The conversation approach makes it more than just another plain study book. The species are, in order, note against note; two notes against one; four notes against one; ligature or suspensions one note against one, but offset by half of the note value ; and florid counterpoint, in which the other species are combined freely.
The essence of the most celebrated book on counterpoint, Fux’s Gradus ad Parnassum. Want to Read Currently Reading Read.
Unsourced material may be challenged and removed. Cart Support Signed in as: There are no discussion topics on this book yet. Occasionally, in modern counterpoint textbooks, the third and fu species are reversed with suspensions being taught before four notes against one. Translated from latin to contemporary english. Lists with This Book. Fux gives the following example.
The Study of Counterpoint
The examples are not very melodic in nature but will teach you sound counterpoint writing. Leaps can only be made between two harmony notes: The most celebrated book on counterpoint is Fux’s fud theoretical work?
You’ll either find the style charming or off-putting. Fux’s study on species counterpoint has set the standard for centuries on tonal music; in fact, this is the same text that Beethoven used.
Jan 01, Daniel added it. Modern counterpoint education is greatly indebted to Gradus ad Parnassum as the codex of the five species [ citation needed ]. Return to Book Page.
Fux recommends spending 3 years working out the various species before writing free compositions. Dec 10, Bruno rated it it was amazing Shelves: Anybody interested in learning counterpoint form historical sources is better adivsed to look at Morley, Tinctoris and Zarlino for the Renaissance and Mattheson, Rameau and Marpur for the Baroque.
The Study of Counterpoint | W. W. Norton & Company
This is a wonderful study for composers, and this book will walk you through the concepts of Counterpoint which were employed by Bach, Handel and others. For example, in three-part writing a leap between two notes of a triad may occasionally avoid consecutives, an option which is typically not available in two-part textures. It is good both for educating yourself and for identifying the practices of the period in which it was written and how the practices were changing at that time.
Whilst I have certain sympathies for the “reactionary” spirit in which ‘Gradus ad Parnassum’ was written, I must judge it for what it is. Leave a Reply Cancel reply You must be logged in to post a comment. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library. Just a moment while we sign you in to your Goodreads account.
Definitely worth a look through your local secondhand bookstore or library!
A Counterpoint Study Plan – Species Counterpoint
Reading it as a modern reader is a bit strange. Definitely worth a look th Reading this was my first exploration into more advanced harmony and voice leading, and I was quite daunted! At the outset, Fux states his purpose: Feb 12, Stephen Ian Savage rated it it was amazing. Published June counterplint by W. Fux’s work repeated some of Diruta’s, possibly coincidentally, since he is not known to have had a copy.
Jul 19, Max Gibson rated it liked it.
Taking the reader step-by-step through the processes involved. Fux states that the first note of each bar must be consonant with the given note of the cantus firmus while the three remaining notes can be a mixture of consonant and dissonant notes, providing the following rules are adhered to: You must be logged in to post a comment.
The format gets old fast, but the information and concise nature of the text was pretty useful as reference for the kinds of assignments we were working on.
Fux frequently worked with theatrical engineer Giuseppe Galli Bibiena and poet and librettist Pietro Pariati. Bars 7 and 8 of the following is an example of this.